Doherty, Brigid. “Animated Origins, Origins of Animation.” Animism. Berlin: Sternberg, 2010. Print.

Doherty, Brigid. “End Note — Rosemarie Trockel.” MAP 24 (2010): n. pag. Print.

Doherty, Brigid. “Rosemarie Trockels Monster.” Rosemarie Trockel: Zeichnungen, Collagen Und Buchentwürfe. Ostfildern: Hatje Cantz, 2010. Print.

Doherty, Brigid. “What Is There To Be Learned from Kitsch?.” Cabinet 39 (2010): n. pag. Print.

Doherty, Brigid. “Between the Artwork and Its ‘Actualization’: A Footnote to Art History in Benjamin’s ‘Work of Art’ Essay.” Paragraph 32:3 (2009): n. pag. Print.

“László Moholy-Nagy. Constructions in Enamel. 1923.” “.” Bauhaus 1919-1933. New York: The Museum of Modern Art, 2009. Print.

“Rosemarie Trockel: Eiserner Vorhang Safety Curtain. Flip-Book Special.” “.” Pidgin 7 (2009): n. pag. Print.

Doherty, Brigid, Michael Jennings, and Thomas Levin. Walter Benjamin: The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media. Cambridge: Harvard University Press, 2008. Print.

Doherty, Brigid. “The Museum of Learning Things.” Manifesta 7: Index. Milan: Silvana Editoriale, 2008. Print.

Doherty, Brigid, and Staatsoper Wien. “Rosemarie Trockel: Eiserner Vorhang Safety Curtain 2008-2009.” Museum in Progress. Vienna: N.p., 2008. Print.

Doherty, Brigid. “Learning Things.” Manifesta 7: Companion. Milan: Silvana Editoriale, 2008. Print.